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2 Beautiful Blues Licks for Beginners and Intermediate

By Klaus Crow Leave a Comment

Hi folks, I hope you have a beautiful summer! It’s a great time to play guitar in the backyard, on the beach or on vacation. There’s always a time and place to practice.

Today we’re going to learn two beautiful blues licks in the key of A and in the key of E that are both suitable for beginners and intermediate. You can see blues licks as the words and sentences that make up your story line. By learning blues licks you create the skills and vocabulary for your soloing and improvisation. Let’s learn some blues language!

2 Beautiful Blues Licks for Beginners and Intermediate

We start with a blues lick in the key of A with the first couple of notes from the A minor pentatonic scale position 2 (D-shape) and the last 6 notes from position 1 (E-shape). We also added the major 3rd to give you that overall happy blues sound.

The second blues lick is in the key of E starting with notes derived the E minor pentatonic scale position 4 (A-shape) and then rolls down to position 3 (C-shape), then goes back using the same notes from position 4 (A-shape) and then goes higher up the fretboard to position 5 (G-shape).

2 beautiful blues licks for beginners and intermediate TABS

If you want to learn more about licks, scales and positions / shapes, soloing and improvisation check out 50CoolBluesLicks.com

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Chord Progressions For Minor Pentatonic Soloing

By Klaus Crow 2 Comments

The minor pentatonic scale is the most used scale for soloing and it is used in a wide variety of music styles like pop, rock, country, metal, blues and more. It’s a great scale because it’s fairly easy to play which makes it a perfect beginner scale for soloing, but it also has the functionality to develop, expand, and improve your skills to high levels of advanced playing.

Once you know how to play the minor pentatonic / blues scale and how to use it for soloing purposes, you want to know over what chord progressions you can play the scale. There are a few ways to go about this.

Let’s dive in!

MINOR KEY CHORD PROGRESSION

Like the natural minor scale, you can also use the minor pentatonic scale to solo over a song or chord progression in a minor key. We will use the chords derived from the natural minor scale to build your minor key chord progression.

Here’s the formula to find the chords to your progression:
I=minor, ii=dim, III=major, iv=minor, v=minor, VI=major, VII=major

For instance, if you want to use an A minor pentatonic scale to solo over a song or chord progression in the key of A minor you start with filling in the notes of the A natural minor scale to the formula.

For example:
A natural minor scale (A Aeolian mode) = A B C D E F G
Formula for finding the chords = minor – dim – major – minor – minor – major – major
Chords for the progression: Am – Bdim – C – Dm – Em – F – G
Continue Reading

Cooler Pentatonics and Licks Adding The Major Third

By Klaus Crow 3 Comments

Bigstock photo
The pentatonic scale is an awesome scale. It’s a fairly easy scale and it can be used for almost every style of music: blues, country, pop, rock and more.

That’s why most guitar players use it most of the time. Great nothing wrong with that.

But wouldn’t it be nice if you could add a few notes to the minor pentatonic scale to give it more flavor and spice up your playing?

Well today we’re going to add the major third to the minor pentatonic scale. The major third will bring some happy, fresh and lively color to the table. Adding extra notes to the pentatonic scale is a common thing in soloing and will make your playing a lot more fun and interesting to listen to.

I’ll show you how to play the 5 pentatonic scales shapes / positions adding the major third and 5 licks to spice up your playing.

THEORY
The major third is a musical interval and is the distance between the root and the third note of the major scale. It also consists of four semitones (4 frets).

For example: Continue Reading

Double Stops and Blues Licks Around The Entire Neck

By Klaus Crow 3 Comments

Bigstock photo
A double stop is when you play two notes at the same time, also called “dyads” (you might have heard of the more familiar term “triads” where you play three notes at the same time).

While solos usually consists of single note lines, you can give your phrasing some extra colour and more chunk by playing some double stops here and there.

Double stops is just guitar slang for “harmonic intervals”. An interval is the distance between any two notes and harmonic means simultaneously sounding tones. Harmonic intervals can be played in thirds, fourths, fifths, sixths and sevenths.

You can hear them a lot in rock and blues and guitar players love using them to enhance their soloing.

Here are two examples of classic blues double stop guitar intros:

Cold shot – Stevie Ray Vaughan

Johnny B Goode – Chuck Berry

You can apply harmonic intervals to every scale, but today we’re focusing on playing fourths in the A minor pentatonic scale. The application of fourths is one of the most used double stops in blues and rock.

In the tabs below you can see that almost every two notes are on the same fret, so you need to bar two strings with either your first finger (index finger), third finger (ring finger) or fourth finger (pinky). Continue Reading

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