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Effective Speed Building Guitar Licks Exercises

Practicing speed building exercises on your guitar will improve your technique tremendously. The speed exercises will not just make you play faster, but also your dexterity will advance. Dexterity will create flow, easiness and flexibility on all fronts of your guitar playing.

When you practice the exercises for a while you will find that your fingers will feel lighter and move more fluently across the strings and fretboard as you solo or switch between chords. Guitar playing becomes more effortless.

The exercises in this post all have their own challenges that will develop and improve different parts of your technique. Exercise #1 and #5 are your typical 3 notes-per-string super fast lick that sound really awesome once you get them up to speed, but they’re just as nice to practice slowly or at mid tempo, exercise #4 is a nice blues lick, and others will serve different purposes to enhance your skills. Just try each one of them and explore.

Take it easy, take your time, and as always, enjoy the process!

SPEED BUILDING EXERCISE #1 ( A minor )

Below is a nice fast A minor lick scale run that you can play over an A minor chord or harmony / progression (Am – Bdim – C – D – Em – F – G – Am). Start slow, play every single note clean and clear and only increase your speed when you feel comfortable playing at a slow tempo.

How to Learn a Scale Inside Out to Improvise a Guitar Solo

By Klaus Crow Leave a Comment

As a guitar student you want to learn your scales inside out, not just to expand your music theory or to develop dexterity, but to learn to solo and improvise.

In order to solo and improvise you need to know the words of the language. You need to know how to use those words in a fluent manner with confidence and ease to express your musical emotions.

This is where the scale comes in. The scale contains the letters and the words to tell your story.

In this lesson I will give you the exercises to really dig into the scale and memorize it from top to bottom, backwards and forwards so you can start your journey to learn to solo and improvise.

We will use the G major scale as an example, but you can apply this to any scale.

There’s a lot of exercises and examples here so take your time with it. Start with one exercise and practice it until you can play it at a comfortable level, then move on to the next. Before you know it your fingers are running the show.

Let’s dive in!

Play in Position. First learn the scale playing it in position using the appropriate fingering. “Playing in position” means your left hand remains in a fixed location, with each finger assigned to a specific fret. See below in example 1. Now play the scale following example 2 and use the finger positioning of example 1.

Numbers on the dots: 1 = first finger assigned to the second fret, 2 = second finger assigned to the third fret, 3 = third finger assigned to the fourth fret, 4 = fourth finger assigned to the fifth fret. The red dots indicate the root note of the scale (in this case the G note).

Example 1:

Example 2:

Play with one finger. In this exercise you play the scale with only one finger (see example 3), so you become really conscious of where each note in the scale is located. Don’t underestimate this exercise. It is really important. Play it like example 2, but with the fingering of example 3.

Example 3:

Mastering The Fretboard Through The Cycle of Fourths

By Klaus Crow 9 Comments

In becoming an adept guitar player it is important to master the fretboard, learn all the notes on the guitar, and be able to move freely around the neck and play all your scales, riffs, licks, chops and solos in every key.

You can cultivate this by using and practicing your musical ideas through the cycle of fourths. For in depth explanation of the cycle of fourths check out How to Benefit from The Circle of Fifths and Fourths. In this post we are going into the practical side of things.

Let’s say you play a cool lick in the key of A (See example below). Now the next thing you do is move the lick up a fourth (up 5 frets) and play it in the key of D (A to D is a fourth), then play it in the key of G (D to G is a fourth), next in the key of C (G to C is a fourth), then the key of F (C to F is a fourth), next key of Bb (F to Bb is a fourth), key of Eb (Bb to Eb is a fourth), key of Ab (Eb to Ab is a fourth), key of Db (Ab to Db is a fourth), key of Gb (Db to Gb is a fourth), key of B (Gb to B is a fourth), key of E (B to E is a fourth), and back to the key of A (E to A is a fourth).

Below an example of how to move the lick through the cycle of fourths from A to D to G. You try to figure out the other keys. If you want to learn this lick in a videolesson check out Cool Acoustic Electric Blues Guitar Lick

Now you’ve passed through every key via the cycle of fourths. Practice this with your chords, triads, licks, arpeggios, scales, etc and you’ll discover it’s purpose and benefits. You will feel it’s different, akward and challenging to play the same lick, scale or exercise in other keys. You have to relearn that lick or scale a bit in various positions, because you have moved it up or down the neck.

Cool Acoustic Electric Blues Guitar Lick

By Klaus Crow 5 Comments

Today we’re going to learn a nice and smooth acoustic/electric blues guitar lick that you can add to your guitar licks vocabulary and use freely in your soloing and improvisation.

Blues licks are small soloing ideas that you can use and learn from. They are designed to expand and upscale your soloing skills. The licks are used in blues music but also in rock, country, jazz and other styles of music. The licks and styles are all intertwined.

I used to collect licks from every where and anyone. I always bought all the guitar magazines and videos there were available at the time and learn all the licks I could find. It was all about the cool licks. It was the fast way to learn and incorporate all the cool chops and techniques into my playing. Even now, I’m still looking.

You can play the blues lick in the video over an A7 chord, over an A7 Blues progression or blues shuffle. You can also transpose the lick to any key you like by moving the entire lick up or down the fretboard.

Enjoy!

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