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Cooler Pentatonics and Licks Adding The Major Third

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The pentatonic scale is an awesome scale. It’s a fairly easy scale and it can be used for almost every style of music: blues, country, pop, rock and more.

That’s why most guitar players use it most of the time. Great nothing wrong with that.

But wouldn’t it be nice if you could add a few notes to the minor pentatonic scale to give it more flavor and spice up your playing?

Well today we’re going to add the major third to the minor pentatonic scale. The major third will bring some happy, fresh and lively color to the table. Adding extra notes to the pentatonic scale is a common thing in soloing and will make your playing a lot more fun and interesting to listen to.

I’ll show you how to play the 5 pentatonic scales shapes / positions adding the major third and 5 licks to spice up your playing.

THEORY
The major third is a musical interval and is the distance between the root and the third note of the major scale. It also consists of four semitones (4 frets).

For example: Continue Reading

Double Stops and Blues Licks Around The Entire Neck

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A double stop is when you play two notes at the same time, also called “dyads” (you might have heard of the more familiar term “triads” where you play three notes at the same time).

While solos usually consists of single note lines, you can give your phrasing some extra colour and more chunk by playing some double stops here and there.

Double stops is just guitar slang for “harmonic intervals”. An interval is the distance between any two notes and harmonic means simultaneously sounding tones. Harmonic intervals can be played in thirds, fourths, fifths, sixths and sevenths.

You can hear them a lot in rock and blues and guitar players love using them to enhance their soloing.

Here are two examples of classic blues double stop guitar intros:

Cold shot – Stevie Ray Vaughan

Johnny B Goode – Chuck Berry

You can apply harmonic intervals to every scale, but today we’re focusing on playing fourths in the A minor pentatonic scale. The application of fourths is one of the most used double stops in blues and rock.

In the tabs below you can see that almost every two notes are on the same fret, so you need to bar two strings with either your first finger (index finger), third finger (ring finger) or fourth finger (pinky). Continue Reading

The Mighty Mixolydian Scale over A Blues

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So why do you want to use the mixolydian scale for blues?

Well, not that there’s anything wrong with the pentatonic scale, on the contrary, the pentatonic / blues scale is the most essential scale for blues music.

But if you want to take it a little further and jazz it up with some nice fresh sounding notes to expand your improvisation possibilities then the mixolydian scale is a great addition.

The mixolydian scale is one of the 7 modes derived from the major scale. It’s the fifth mode and contains a flat seventh compared to the major scale.

If you already know how to play a major scale you only have to lower the 7th degree by a half step and there’s your mixolydian scale.

Major scale = 1 2 3 4 5 6 7
Mixolydian scale = 1 2 3 4 5 6 b7

Because the mixolydian scale contains a major 3rd and flat7 (b7) it’s perfectly fit to play over a dom7 chord. And as you might know, the dom7 chord is the main ingredient for blues music.

Now you know how the mixolydian scale is build up, you want to know how to combine mixolydian and pentatonic into your improvisation.Continue Reading

9 Blues Guitar Chords to Rock The House!

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The dominant 7th chord is the most common used chord in blues. But also the ninth and thirteenth chords are found regularly in blues music to give that extra flavor to a chord progression. They add a little bit of jazz flavor.

Choosing the right blues chords can make your blues rhythm playing sound fresh and full of color.

Playing these blues chords in different positions will give you a unique sound every time again and makes playing rhythm much more fun and challenging.

The blues chords shown below are all in the key of A, however they are moveable chords so they can be played in every key. The red dot indicates the root note. In the diagrams below all red notes are “A” notes. If you would move all the chords up a whole step then the chords are in the key of B.

If you want the chords to be in the key of E, then move the entire chord so that the red dot (root note) lands on the “E” note.

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