exercises Archives - Page 4 of 5

If you’re new to scale sequences I suggest you check out “6 Basic Major Scale Sequences / Melodic Patterns” first. That’s where I explain why and how you should practice scale sequences.

This is Part II of the previous post and if you got the basic scale sequences under your belt you’re pretty much up for this challenge.

I recommend you play these sequenses along with a metronome: “www.metronomeonline.com” It’s the best way to make progress in accuracy and speed. Start out really slow and gradually build up your speed. Only go faster when you can play each note clear and correctly.

The sequences are for the intermediate and advanced. They are tricky but incredibly fun to play.

Enjoy and improve!


SEQUENCE #1 ascending
e:-----------------|-------------------|
B:-----------------|-------------------|
G:-----------------|-------------------|
D:---------------2-|-------4-----2-5---|
A:-----2-5---2-3---|-2-3-5---3-5-------|
E:-3-5-----5-------|-------------------|
 
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6 Basic Major Scale Sequences / Melodic Patterns

By Klaus Crow 8 Comments

Photo by Gideon

When I first learned to play sequences I didn’t know what all the fuzz was about. Why was it so important to learn all these “sequences” or as some prefer to call them “melodic patterns”?

Anyhow, I did enjoy playing them because after a while I got into this flow and it sounded kinda cool.

Once I really got the hang of it I came to learn the benefits of mastering sequences

Sequences will improve your technique and ability to improvise and create melody on the spot.

Your playing becomes more flexible, creative and it’ll keep you from sounding like someone who is playing scales all the time. :-)

In other words… Want to improve your technique or want to improve your improvising skills?

Go ahead and work hard on these assignments.

Enjoy!

Assignment #1: Memorize the G Major scale and play it using alternate picking.

Assignment #2: Memorize the 6 sequences below (ascending and descending) and play them through the cycle of fourths. (in the key G, C, F, Bb, Eb, Ab, Db, Gb, B, E, A, D, G)

Assignment #3: Incorporate bits and pieces of each sequence into your improvisation.

Assignment #4: Try to make melodies from the patterns, play with the notes, experiment with timing and rhythm, turn things around, extend or shorten the duration/length of some of the notes, create pauses, etc.

These assignments will keep you busy for a while. Be patient and take your time!

G MAJOR SCALE e:-----------------------------2-3------| B:-------------------------3-5----------| G:------------------2-4-5---------------| D:-----------2-4-5----------------------| A:-----2-3-5----------------------------| E:-3-5----------------------------------| G MAJOR SCALE descending e:--3-2---------------------------------| B:-------5-3----------------------------| G:------------5-4-2---------------------| D:-------------------5-4-2--------------| A:--------------------------5-3-2-------| E:---------------------------------5-3--|

SEQUENCE #1 ascending e:----------------|-----------------|-------------------| B:----------------|-----------------|-------------------| G:----------------|-----------------|---------------2---| D:----------------|-------2-----2-4-|---2-4-5-2-4-5-----| A:-----2-3--2-3-5-|-2-3-5---3-5-----|-5-----------------| E:-3-5-----5------|-----------------|-------------------| Continue Reading

22 2-String Alternate Speed Picking Exercises

By Klaus Crow 22 Comments

Photo by Jason Rogers
A lot of the cool licks that are used in solos are played on just 2 strings. Usually on the high E and B string.

Although they are most common in shredding, you can find them in all genres of music.

The best way to learn these licks fast, clear and fluently is to practice them with alternate picking and the use of a metronome.

Alternate picking means you hold the pick between your thumb and index finger with the pointed end facing toward the strings. You strictly use alternating down and up strokes. The first note you play is downstroke, the second an upstroke, the third one a downstroke, the fourth one an upstroke and so on.

Start out slowly and gradually increase speed. Use the licks as a warm up exercise in your daily practice workout.

Beside the metronome you can also learn to play the licks along with a backing track.

As you do this make sure you focus on correct tempo and timing.

Notes:-All of the exercises below are licks, except for exercise 20 and 21.

-Repetitive licks are shown by the 2 dots next to the bar line. Repeat what ever is written between those two dots. Repetitive licks are repeated at least 2 times or more.

These 22 exercises will really improve your alternate picking speed if you follow the instructions I just mentioned. You’ll have some nice chops to work with.

Have a great work out!



EXERCISE #1 (in key of D major or B minor)
e:---------7--------|------------------------------------|
B:--7-8-10---10-8---|------------------------------------|
G:*----------------*|------------------------------------|
D:*----------------*|------------------------------------|
A:------------------|------------------------------------|
E:------------------|------------------------------------|
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The 23 Essential Guitar Arpeggios to Get Smooth

By Klaus Crow 35 Comments

Photo by Benjamin Deutsch
Arpeggios are often used for sweep picking also referred as economy picking (different from alternate picking).

It is a technique that creates a fast and fluid sound.

Frank Gambale, Yngwie Malmsteen among others are experts in this field. So if you like to show off or just create incredible sounds on your guitar try arpeggio sweep picking.

Besides using it for fast playing, I really like to use it as a handy tool for improvisation.

If you don’t want to sound like you are playing scales all the time then you can use arpeggios as an extra ingredient to spice things up with a really nice flavor.

When using arpeggios in improvisation play them occasionally, try to play parts and pieces or play random notes of an arpeggio to create cool sounding licks. Use your creativity.

Tip1: Not only play arpeggios but use them in your improvisation.
If you don’t do this it’s like you are learning new words but don’t apply them in your language.

Tip2: Learn every arpeggio in different positions on the neck so you become familiar with the shape of the arpeggio rather than concentrating on which frets you put your fingers in one particular postion.

Here are the 23 essentials that can really open up your playing and improvisation skills.

Have fun and work hard.
You’ll benefit from it!



#1 D Major Arpeggio
e:--------------2h5p2----------------------------------------|
B:-----------3---------3-------------------------------------|
G:--------2---------------2----------------------------------|
D:-----4---------------------4-------------------------------|
A:--5--------------------------5-----------------------------|
E:-----------------------------------------------------------|
 
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