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Double Stops and Blues Licks Around The Entire Neck

By Klaus Crow 3 Comments

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A double stop is when you play two notes at the same time, also called “dyads” (you might have heard of the more familiar term “triads” where you play three notes at the same time).

While solos usually consists of single note lines, you can give your phrasing some extra colour and more chunk by playing some double stops here and there.

Double stops is just guitar slang for “harmonic intervals”. An interval is the distance between any two notes and harmonic means simultaneously sounding tones. Harmonic intervals can be played in thirds, fourths, fifths, sixths and sevenths.

You can hear them a lot in rock and blues and guitar players love using them to enhance their soloing.

Here are two examples of classic blues double stop guitar intros:

Cold shot – Stevie Ray Vaughan

Johnny B Goode – Chuck Berry

You can apply harmonic intervals to every scale, but today we’re focusing on playing fourths in the A minor pentatonic scale. The application of fourths is one of the most used double stops in blues and rock.

In the tabs below you can see that almost every two notes are on the same fret, so you need to bar two strings with either your first finger (index finger), third finger (ring finger) or fourth finger (pinky). Continue Reading

The Mighty Mixolydian Scale over A Blues

By Klaus Crow 4 Comments

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So why do you want to use the mixolydian scale for blues?

Well, not that there’s anything wrong with the pentatonic scale, on the contrary, the pentatonic / blues scale is the most essential scale for blues music.

But if you want to take it a little further and jazz it up with some nice fresh sounding notes to expand your improvisation possibilities then the mixolydian scale is a great addition.

The mixolydian scale is one of the 7 modes derived from the major scale. It’s the fifth mode and contains a flat seventh compared to the major scale.

If you already know how to play a major scale you only have to lower the 7th degree by a half step and there’s your mixolydian scale.

Major scale = 1 2 3 4 5 6 7
Mixolydian scale = 1 2 3 4 5 6 b7

Because the mixolydian scale contains a major 3rd and flat7 (b7) it’s perfectly fit to play over a dom7 chord. And as you might know, the dom7 chord is the main ingredient for blues music.

Now you know how the mixolydian scale is build up, you want to know how to combine mixolydian and pentatonic into your improvisation.Continue Reading

9 Blues Guitar Chords to Rock The House!

By Klaus Crow 16 Comments

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The dominant 7th chord is the most common used chord in blues. But also the ninth and thirteenth chords are found regularly in blues music to give that extra flavor to a chord progression. They add a little bit of jazz flavor.

Choosing the right blues chords can make your blues rhythm playing sound fresh and full of color.

Playing these blues chords in different positions will give you a unique sound every time again and makes playing rhythm much more fun and challenging.

The blues chords shown below are all in the key of A, however they are moveable chords so they can be played in every key. The red dot indicates the root note. In the diagrams below all red notes are “A” notes. If you would move all the chords up a whole step then the chords are in the key of B.

If you want the chords to be in the key of E, then move the entire chord so that the red dot (root note) lands on the “E” note.

Continue Reading

10 Indispensable Tips from Famous Guitar Players

By Klaus Crow 7 Comments

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I just came back from a holiday in Spain. I didn’t bring my guitar on the holiday and I really missed it from time to time, but I enjoyed great quality time with my wife and three kids.

It’s was also a good time to reflect and evaluate my life. I do that often anyway, but holidays in particular are really suited for some good thinking and gaining new inspiration.

I filled my moleskin notebook with new ideas, things I want to do more or less (more guitar playing, less worrying, more running, less email, more space, less clutter), I wrote down everything that came to mind. Just putting that stuff on paper is good for the soul.

While enjoying every minute of my holiday I also couldn’t wait to start applying all these new ideas when I got come home. It’s great to start over again every time you want to.

Coming back it felt great to feel the strings on my hands again. Later that evening I was watching some interviews and masterclasses of great guitar legends. I always love to do that. There are is so much to learn from that and so many insights to discover.Continue Reading

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