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Cooler Pentatonics and Licks Adding The Major Third

By Klaus Crow 3 Comments

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The pentatonic scale is an awesome scale. It’s a fairly easy scale and it can be used for almost every style of music: blues, country, pop, rock and more.

That’s why most guitar players use it most of the time. Great nothing wrong with that.

But wouldn’t it be nice if you could add a few notes to the minor pentatonic scale to give it more flavor and spice up your playing?

Well today we’re going to add the major third to the minor pentatonic scale. The major third will bring some happy, fresh and lively color to the table. Adding extra notes to the pentatonic scale is a common thing in soloing and will make your playing a lot more fun and interesting to listen to.

I’ll show you how to play the 5 pentatonic scales shapes / positions adding the major third and 5 licks to spice up your playing.

THEORY
The major third is a musical interval and is the distance between the root and the third note of the major scale. It also consists of four semitones (4 frets).

For example: Continue Reading

How to Play and Apply The Dorian Scale

By Klaus Crow 6 Comments

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If you know your way around the pentatonic / blues scale, the major scale and minor scale and you feel like you’re up for a new challenge, it’s time to expand your soloing vocabulary.

Let’s take a look at one of the 7 modes of the Major scale. Dorian might be your new endeavor.

The Dorian scale is very common scale in the jazz music, but it can also be applied to pop, rock and metal to give your soloing some fresh and lively colors.

The dorian scale is the second mode of the major scale.

All 7 modes (Ionian, Dorian, Phrygian, Lydian, Mixolydian, Aeolian, Locrian) are derived from the major scale. Each mode starts and stops on a different note within the major scale. Dorian starts on the second degree of the major scale all the way up to an octave higher.

Example:
C Major = C D E F G A B C
D Dorian = D E F G A B C D

Formulas:
Major scale = 1 2 3 4 5 6 7
Dorian scale = 1 2 b3 4 5 6 b7

If you start on a random note to build a Dorian scale the pattern of whole and half steps would be: “whole, half, whole, whole, whole, half, whole”. (a whole step = 2 frets, a half step = 1 fret). So the formula in semitones = 2 1 2 2 2 1 2

DORIAN SOUND
Modes are scales derived from the major scale. There are major modes and minor modes. If we look at the minor modes (they contain a b3) you can see the Aeolian mode (natural minor scale) and Phrygian mode both contain a minor 6 (or b6), whereas the Dorian mode contains a major 6. The 6th sets it apart. It becomes the characteristic note and identifies the Dorian sound.Continue Reading

20 Ways to Improve Your Improvisation Skills

By Klaus Crow 3 Comments

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Learning to improvise is a covetable skill and it is the next step to becoming a more accomplished guitar player once you’ve mastered a decent amount of guitar solos.

Improvisation gives you the freedom to express and explore your creativity on the guitar.

When you’re the lead guitar player in a band it’s a necessity but also an incredible feeling to be able to compose a solo on the spot anytime it’s required.

Delivering a fresh, original, sweet rocking solo will be the icing on the cake.

In truth, improvisation is really the spontaneous and creative reorganization of things you already know. So you need to build and accumulate a soloing vocabulary from which you can create.

Here are 20 ways to build that vocabulary and improve your improvisation skills.

Apply these tips to your daily practice routine to get the best out of yourself!

Here are the keys:

1 – Learn new licks
Keep amassing fresh original licks from different styles and genres.

2 – Listen good and listen a lot
Listen, really listen to guitar solos of your favorite guitarists and also listen to various guitar players to expand your horizon. Study their phrasing.Continue Reading

How to Read Guitar Tabs – Tablature

By Klaus Crow 8 Comments

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Tab (Tablature) or Tab notation is an easy way to read and notate guitar music.

It is commonly used for notating rock, blues, country and pop music. Whereas standard notation is more used for classical music, film scores and jazz music.

Tab is widely transcribed and used by guitar players on the internet but it also published in official guitar books (which is often more accurate).

It is especially designed for fretted stringed instruments like guitar and bass, while standard notation is arranged for all instruments. There are some pros and cons for each notation method.

When you’re learning music from tabs you can not just plainly rely on the tab notation. You need to listen to the song first, because the tab doesn’t indicate note lengths, pauses, rhythm and dynamics.

To know how long or loud each note is being played you need to use your ears and listen to the song. Train your ears because they are your most essential tools while reading and learning from tabs.

We focus here on Tab because of it’s convenient pros. Tab is easy to read and it gives you the exact fret numbers and strings you need to play.Continue Reading

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