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The Mighty Mixolydian Scale over A Blues

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So why do you want to use the mixolydian scale for blues?

Well, not that there’s anything wrong with the pentatonic scale, on the contrary, the pentatonic / blues scale is the most essential scale for blues music.

But if you want to take it a little further and jazz it up with some nice fresh sounding notes to expand your improvisation possibilities then the mixolydian scale is a great addition.

The mixolydian scale is one of the 7 modes derived from the major scale. It’s the fifth mode and contains a flat seventh compared to the major scale.

If you already know how to play a major scale you only have to lower the 7th degree by a half step and there’s your mixolydian scale.

Major scale = 1 2 3 4 5 6 7
Mixolydian scale = 1 2 3 4 5 6 b7

Because the mixolydian scale contains a major 3rd and flat7 (b7) it’s perfectly fit to play over a dom7 chord. And as you might know, the dom7 chord is the main ingredient for blues music.

Now you know how the mixolydian scale is build up, you want to know how to combine mixolydian and pentatonic into your improvisation.Continue Reading

How to Benefit from The Circle of Fifths and Fourths

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The circle (or cycle) of fifths, also called the cycle of fourths is a diagram that gives all kind of handy information on key signatures, chords and scales in a quick and clear manner.

Besides that, it’s an awesome practice tool to improve your guitar playing.

The circle displays all 12 notes of the chromatic scale (those are all the notes in western music) and moves clockwise in intervals of fifths.

An interval of a fifth is equal to 7 semitones or 7 frets on the guitar.

Counter-clockwise the circle moves in intervals of fourths which is equal to 5 semitones or 5 frets.

The circle of fifths is generally used for the study of classical music whereas the cycle of fourth is more often used for the analysis of jazz music, but let that not stop you because there is so much to gain from the circle for any style of music. Make it part of your knowledge of music theory. It will help you in many ways.

Let’s check it out:

Recognizing key signatures
The cycle of fifths is an easy way of finding the key signature of a song. The cycle will show you how many sharps or flats each key contains. At the top the key of C has no sharps or flats. Turn one step clockwise each time and the sharps add up. Next to C on the cycle you’ll find the key of G which has 1 sharp, then D has 2 sharps, A has 3 sharps and so on.

If you go anti-clockwise one step each time the flats up. To left of C you’ll find F which has 1 flat, then Bb has 2 flats, Eb has 3 flats, Ab has 4 flats and so on.

This is useful also and especially if you can’t read music. When you see a music score which makes no sense to you, but you see 3 sharps in the beginning of the note staff, you’ll know that the song is in the key of “A”. Continue Reading

Practice Guitar Improvisation using Different Drum Beats

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Okay, you know your blues scales inside out and are confident improvising with these scales.

But you might not be aware that you always practice improvisation with a drum backing track using the same drum beat over and over again.

You tell the drummer of your band to play a slow blues shuffle because it feels so good. Or could it have anything to do with the fact that it feels safe? Does it sound familiar to you?

Then the day arrives you have to play in a new band or with a different drummer and this lunatic starts playing an uptempo country blues. Huh? What’s this? Suddenly your phrasing doesn’t work, it doesn’t fit the groove and you have a difficult time keeping up and putting it all together. That’s a hard truth to be confronted with.

It’s because blues (as any other genre) can be played in many different styles, variations and tempos. Something you may not have focused on. This is a scenario you want to avoid. You want to build the confidence to handle every common drum groove that is being dished up.

You want to play in a band and feel free to solo over every blues, rock, country, pop song like a real pro. It’s something a lot of guitar players struggle with and it’s good to work on this and make sure you get this under your belt.

To make sure you do, take on a 30 day challenge to keep yourself at it! Here’s what to do:Continue Reading

The 5 Natural Minor Scale Positions You Must Know

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The natural minor scale can be played in 5 different positions just like the major scale, the pentatonic scale and all the other scales.

These 5 positions are all one and the same natural minor scale but played in different shapes and areas on the fretboard to give you the freedom to play the scale all over the neck and improvise without restrictions.

The natural minor scale (also known as Aeolian mode) is derived from the major scale. So if you already know how to play the 5 positions / shapes of the major scale you will automatically know how to play the positions of the natural minor scale. The only difference is where the root note is located and the name of each position.

If you don’t know how to play the first position of the natural minor scale yet or haven’t even heard of it before then check out this post first: Exploring the natural minor scale

The natural minor scale can be used to play over songs in a minor key and can be perfectly combined with the pentatonic / blues scale (which can also be used for the minor key). Using both scales gives you a bigger and more varied palette to draw from.

The diagrams below give you a nice overview of how the fingers are placed and move over the neck for each position.

Play each position starting from the lowest root note (the red note) then play all the way up (ascending) to the last note on the high E-string, then play all the way down (descending) to the first note on the low E-string and then play up again to the first root note you’ll hit upon.

The tablature shows you how to play each position ascending and descending.

Tips:

– Practice with a pick using alternate picking technique (down, up, down, up, etc.)
– Make sure each note sounds clean and clear .
– Practice slowly first and when you feel comfortable gradually build up speed.
– Memorize all the root notes of each position.
– Make sure you can play each position thoroughly before moving on to the next.
– Take your time to get it all down. It takes a while. Enjoy the path before reaching your destination.

Have a great time!Continue Reading