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8 Ways to Play a 12 Bar Blues Shuffle in The Key of E

By Klaus Crow 19 Comments

Photo by Pablo Docal
Today I’ll show you 8 different ways to play a 12 Bar Blues shuffle. Blues shuffles sound really cool and the basic ones are not that hard to play.

In the first example I wrote out the entire 12 bar blues. In the other examples I just wrote out the alternatives to bar 1,2 and 9. More you don’t need, the rest of the bars is played the same way as those 3. Just play them in the right order. You’ll see what I mean once you’ve tried the first 12 bar blues.

The shuffle blues is one of the most common used rhythms in blues and so used by all the great blues artists like Clapton, BB King, Albert King, Robert Johnson etc. For those who are just starting out in blues, this is the backbone of blues rhtyhm guitar so I suggest you get your hands dirty. :)

If you want to read more about the origin of the blues shuffle and blues in general check out
http://en.wikipedia.org/wiki/Blues

Enjoy!


12 Bar Blues Rhythm #1
e:-------------|-------------|-------------|-------------|
B:-------------|-------------|-------------|-------------|
G:-------------|-------------|-------------|-------------|
D:-------------|-22-44-22-44-|-------------|-------------|
A:-22-44-22-44-|-00-00-00-00-|-22-44-22-44-|-22-44-22-44-|
E:-00-00-00-00-|-------------|-00-00-00-00-|-00-00-00-00-|
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9 Effective Ways to Increase Your Guitar Picking Speed

By Klaus Crow 21 Comments

Working on increasing your picking speed is not just for the hell fire speed wannabe’s.

Once your speed increases your whole style of playing loosens up. Your fingers will feel light and flexible and you’ll gain much more freedom in your playing.

Your fingers will float easily across the strings without trying so hard. It’s an important skill to work on and to maintain.

Increasing your picking speed comes with obstacles, victories, ups and downs, lots of patience and hard work. It’s all about practicing and equally important “the right way of practicing”. Just practicing a lot of hours doesn’t necessarily increase your picking speed if you don’t do it the right way.

Every individual has it’s own specific hurdles to overcome, but if you focus on these tips you are already off to a great start.

You can do it too!
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6 Basic Major Scale Sequences / Melodic Patterns

By Klaus Crow 8 Comments

Photo by Gideon

When I first learned to play sequences I didn’t know what all the fuzz was about. Why was it so important to learn all these “sequences” or as some prefer to call them “melodic patterns”?

Anyhow, I did enjoy playing them because after a while I got into this flow and it sounded kinda cool.

Once I really got the hang of it I came to learn the benefits of mastering sequences

Sequences will improve your technique and ability to improvise and create melody on the spot.

Your playing becomes more flexible, creative and it’ll keep you from sounding like someone who is playing scales all the time. :-)

In other words… Want to improve your technique or want to improve your improvising skills?

Go ahead and work hard on these assignments.

Enjoy!

Assignment #1: Memorize the G Major scale and play it using alternate picking.

Assignment #2: Memorize the 6 sequences below (ascending and descending) and play them through the cycle of fourths. (in the key G, C, F, Bb, Eb, Ab, Db, Gb, B, E, A, D, G)

Assignment #3: Incorporate bits and pieces of each sequence into your improvisation.

Assignment #4: Try to make melodies from the patterns, play with the notes, experiment with timing and rhythm, turn things around, extend or shorten the duration/length of some of the notes, create pauses, etc.

These assignments will keep you busy for a while. Be patient and take your time!


G MAJOR SCALE
e:-----------------------------2-3------|
B:-------------------------3-5----------|
G:------------------2-4-5---------------|
D:-----------2-4-5----------------------|
A:-----2-3-5----------------------------|
E:-3-5----------------------------------|

 

G MAJOR SCALE descending
e:--3-2---------------------------------|
B:-------5-3----------------------------|
G:------------5-4-2---------------------|
D:-------------------5-4-2--------------|
A:--------------------------5-3-2-------|
E:---------------------------------5-3--|

 

SEQUENCE #1 ascending
e:----------------|-----------------|-------------------|
B:----------------|-----------------|-------------------|
G:----------------|-----------------|---------------2---|
D:----------------|-------2-----2-4-|---2-4-5-2-4-5-----|
A:-----2-3--2-3-5-|-2-3-5---3-5-----|-5-----------------|
E:-3-5-----5------|-----------------|-------------------|
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22 2-String Alternate Speed Picking Exercises

By Klaus Crow 22 Comments

Photo by Jason Rogers
A lot of the cool licks that are used in solos are played on just 2 strings. Usually on the high E and B string.

Although they are most common in shredding, you can find them in all genres of music.

The best way to learn these licks fast, clear and fluently is to practice them with alternate picking and the use of a metronome.

Alternate picking means you hold the pick between your thumb and index finger with the pointed end facing toward the strings. You strictly use alternating down and up strokes. The first note you play is downstroke, the second an upstroke, the third one a downstroke, the fourth one an upstroke and so on.

Start out slowly and gradually increase speed. Use the licks as a warm up exercise in your daily practice workout.

Beside the metronome you can also learn to play the licks along with a backing track.

As you do this make sure you focus on correct tempo and timing.

Notes:-All of the exercises below are licks, except for exercise 20 and 21.

-Repetitive licks are shown by the 2 dots next to the bar line. Repeat what ever is written between those two dots. Repetitive licks are repeated at least 2 times or more.

These 22 exercises will really improve your alternate picking speed if you follow the instructions I just mentioned. You’ll have some nice chops to work with.

Have a great work out!



EXERCISE #1 (in key of D major or B minor)
e:---------7--------|------------------------------------|
B:--7-8-10---10-8---|------------------------------------|
G:*----------------*|------------------------------------|
D:*----------------*|------------------------------------|
A:------------------|------------------------------------|
E:------------------|------------------------------------|
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