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Powerful One-Octave Natural Minor Scales – Part II

By Klaus Crow 2 Comments

April 21, 2021 by Klaus Crow

A Natural Minor Scales - One Octave Patterns

Hi good people, today we’re going to continue our A Natural Minor (One-Octave) Scales Series with Part II. If you haven’t studied Part I yet, be sure to check it out: Powerful One-Octave Natural Minor Scales – Part I

Benefits of Learning One-Octave Natural Minor Scales.

The one-octave natural minor scales are important scales for Rock, Blues and Pop guitar music, soloing and understanding music theory. They are great for identifying the shape and structure of the scale, the notes within the scale and the intervals. They are also easier to play and comprehend for beginners. For intermediate players they expand the way of approaching scales and soloing.

Natural Minor Scales Starting from the Root Note on the A-string

In Part II we are learning three natural minor scale shape/patterns with the first (root) note starting on the A-string (5th string).

Tip: Learn and memorize the notes on the A-string so you can instantly recognize the key of the scale when you want to move the scale up or down the fretboard.

Natural Minor Scale Fingering

I’ve notated the left hand fingering (right hand players) for all the scale shape / patterns below.

The numbers in the yellow neck diagrams indicate the fingers. The neck diagrams also clearly show what the shape or pattern looks like. Visualize and memorize the shape of each pattern.

| 1 = index | 2 = middle finger |3 = ring finger | 4 = pinky |

How to read tablature? Check out How to Read Guitar Tabs – Tablature

Play the scale shapes using alternative picking alternating down and up strokes. The first note you play is a downstroke, the second an upstroke, the third one a downstroke, the fourth one an upstroke and so on.

Practice the scale in every Key

In the examples below we play the A natural minor scale, but the purpose is to learn these scale shapes/patterns in every possible key. Once you got these scale under your fingers learn the pattern in other keys as well. Move the entire scale up or down the fret to change keys easily. Need more help with that? A more detailed explanation on this in Part I

Now let’s get to it.

Enjoy!

NATURAL MINOR SCALE SHAPES – ROOT NOTE STARTING ON THE 5TH STRING

A NATURAL MINOR SCALE fingering / shape / pattern #4

A Natural Minor Scale - One Octave - Pattern #4
A Natural Minor Scale - fingering - Pattern #4
A NATURAL MINOR SCALE fingering / shape / pattern #5
A Natural Minor Scale - One Octave - Pattern #5
A Natural Minor Scale - fingering - Pattern #5

A NATURAL MINOR SCALE fingering / shape / pattern #6

A Natural Minor Scale - One Octave - Pattern #6
A Natural Minor Scale - fingering - Pattern #6

Assignments Part II

  • Learn to play each scale shape /pattern thoroughly before moving on the next one.
  • Make sure you play every note clean and clear. Listen carefully to your notes.
  • Visualize and memorize the shape of each scale pattern in your mind.
  • Learn to play the scale shapes in different keys and be sure to know what key you’re playing in.
  • Re-practice the one-octave major scale patterns of Part I.
  • Play all 6 one-octave scale patterns of Part I and II.
  • Learn to create melody with each scale shape. This is the whole point of learning scales. Don’t get overwhelmed, just take small easy and regular steps. That’s it.

Have a blast!

Hang on a second! In the upcoming post (coming soon) we’re going to learn one-octave natural minor scales starting on the D-string. We’re going up the strings onto the higher sounding notes! Make sure you nail these patterns before moving on. Practice your scales today!

Don’t forget to leave a comment below ;) I honestly appreciate it. ~Klaus Crow

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Comments

  1. Noah Banks says

    at

    Thanks Klaus for Part II. I’m already on it.
    I really get a lot out these series.

    Can you also make these series for the pentatonic scale?

  2. Klaus Crow says

    at

    Hi Noah,
    Good idea! I will put it on my todo-list :)
    Great to hear you love these natural minor scale series.
    They are perfect to blend with the pentatonic scale.

    Klaus

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