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How to Build an Awesome Repertoire

By Klaus Crow 7 Comments

Bigstock photo
Building, learning and mastering a repertoire is part of being a musician. It’s your chance to show who you are as a musician.

It’s a great feeling to be prepared and feel confident whenever someone asks you to play something, to perform spontaneously in front an audience because you know you can or just to be able to play a bunch of songs when you’re relaxing at home, on the beach, on a holiday or when you’re hanging out with family and friends without having to rely on your sheet music.

You will feel free and liberated.

Building a repertoire when you’re playing in a band can be a fun challenge too.

Depending on the number of musicians, what kind of musicians and instruments in the band (acoustic guitar, electric guitar, male vocal, female vocal, bass, drummer, keyboard, trumpet, violin, cello, accordeon, steel guitar, etc.) they will definitely influence the choice of songs and the styles you pick for your repertoire.

For every instrument so many ideas come to mind. Such a pleasure :)

So how do you go about building your own repertoire?

Let’s take a closer look.

Picking the right songs
Take out a paper and pencil or a laptop if you prefer. Choose songs you love and songs that are appealing to the audience. It’s likely that the songs you choose will remain on your repertoire for quite a while so choose wisely. If you’re playing covers and you want to play songs that do well by a large number of people then songs by the Beatles or Eagles or always a good pick. Of course it also depends on the style of music you play, the average age of your audience and where your show is located. Continue Reading

12 Ways to Keep You Focused at Practicing Guitar

By Klaus Crow 12 Comments

Bigstock photo
A lot of guitar players tend to practice less or quit practicing altogether once they get older and gain more responsibility in life.

They still play guitar (the stuff they already know) but have given up practicing to improve. There’s a huge difference.

This is unfortunate because there are so many great things to learn that many guitar players aren’t even aware of.

It would open up their way of thinking and renew their approach to guitar playing by adding valuable knowledge, developing different skills and expanding their vocabulary.

Although I teach guitar and write about guitar playing, I also sometimes have difficulty keeping up a regular practice schedule to improve my guitar skills. Guitar playing is a major part of enjoying the good life but not the only part.

Besides the busyness of commitments and obligations in daily life, I also like to keep up with my other hobbies such as spending quality time with my wife and three kids, drinking cappuccino in the backyard, running, yoga, meditation, reading and enjoying good wines to name a few.

And as much as these things are of great importance, practicing guitar may not be harmed by all of these wonderful life luxuries. To keep a safe and secure place for regular practice I make sure I follow the guidelines below.

If you also feel like your active lifestyle is keeping you from practicing then here are the keys to get you back on track.

Check it out!Continue Reading

Ruthless Minor Pentatonic Scales Over 3 Octaves

By Klaus Crow 8 Comments

Photo by Bigstock photo
The standard minor pentatonic scale is normally played over 2 octaves and stays within one position.

If you have been playing and improvising with the minor pentatonic scale for some time it’s likely that you want to break out of that one position and expand your reach on the fretboard.

You can use the minor pentatonic scale over 3 octaves for this purpose. It wil give you much more freedom and flexibility.

When you play “the pentatonic scale over 3 octaves” it means you actually play 3 pentatonic scales, one after another. Each pentatonic scale consisting of 5 notes per octave.

In the first example (the E minor pentatonic) you start on the E note, which is your root note (open low E-string). You play the first 5 notes of the scale and then arrive on the 6th note to land on the octave (7th fret A-string), which of course is also an E note. Then you play the next pentatonic scale starting from that 6th note, play the 5 notes of the pentatonic scale and arrive on the 11th note (9th fret G-string) to land on your second octave. Continue on the 11th note, play 5 notes up the scale and arrive on the 16th note for your 3rd octave.

So you can play each example as one long hell of a scale across the entire neck or treat them as 3 separate scales.

The numbers next to the notes on the staff above the tablature indicate the finger placement of your left hand (assuming you play right-handed). 1 = index finger, 2 = middle finger, 3 = ring finger, 4 = pinky.

The first example, the “E minor pentatonic over 3 octaves” is commonly used to take the standard pentatonic scale to the next step. It’s also the most comfortable and easiest one to play. The other two (A minor and G minor) are a little bit more challenging but definitely worth the effort. Practice pays off!

Tip: Each scale can be played in different keys by moving the entire scale up or down the fretboard. If you want to move “the E minor pentatonic” up a half step to the key of F you need to move up the entire scale 1 fret higher. So the first 4 notes on the 6th string: “0 3 5 7” now become “1 4 6 8”. Moving every note of that scale up a half step (1 fret) and you’re playing F minor pentatonic. If you move up the scale a whole step (2 frets) you’re playing F# minor pentatonic and so on.

Assignments:
– Play each 3 octave scale ascending and descending.
– Memorize how to play each 3 octave scale.
– Play the scales with a metronome. Start slow and gradually build up speed.
– Play the scales in different keys.
– Play the 3 smaller pentatonic scales that make up the big “3 octave scale” separately, from root to octave, ascending and descending.

Have a blast!Continue Reading

How to Hold a Guitar – Proper Posture and Hand Positioning

By Klaus Crow 14 Comments


I first got briefly introduced with proper posture and good practice habits by Al Di Meola’s chords, scales and arpeggios book. For me he is just one of the coolest guitar dudes on the planet, so what he wrote in the book was a good place to start with.

Proper guitar posture is not something every guitar player is aware of or takes seriously.

That’s because improper posture and bad habits will not immediately result in injuries.

But over the long term guitar players can get back, shoulder, neck, elbow, arm and wrist pains, RSI (repetitive strain injuries), tendonitis, CTS (Carpal Tunnel Syndrome) and other nasty side effects.

This is certainly not every guitar player’s destiny, but it’s not out of the question either. But there’s good news! Proper posture can prevent a lot of these injuries and it makes guitar playing easier and more pleasant.

A good hand positioning is here also really important to learn to play effectively and properly. Every detail makes all the difference in the world.

Let’s take a closer look:

Continue Reading

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