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How to Use Chord Formulas and Their Benefits

Why do you need chord formulas? Why do want to learn about them in the first place and what are their benefits?

Knowing some basic chord theory can make all the difference to your playing. It makes guitar playing more fun, interesting and a lot of what you play will make more sense. The pieces of the puzzle will fall in place.

Knowing how chord formulas work and knowing the notes on the strings is the ultimate combination.

What can you do with chord formulas?

– Learn how to make your own chords.
– Understand music theory.
– Figure out how to play a chord when you only have the name of a chord.
– Understanding the difference between chords like Dom7, Maj7 and min7.
– Make a chord easier to play if your pinky can’t reach for the major 7 or any other nasty note.
– Quickly turn a G major chord into Gsus4, G7, Gmaj7, G13 or any other variation you think of.
– Learn to see how easy it is to change from major to minor or any other chord.
– Apply the knowledge to your rhythm playing, songwriting, soloing and improvisation.
– Discover how chord formulas relate to every aspect of guitar playing as your knowledge expands over time.

What is a Chord Formula?

Chord formulas reveals the chord structure. It shows all the notes that are played in a chord, in other words, which specific notes make up a particular chord.

Cooler Pentatonics and Licks Adding The Major Third

By Klaus Crow 3 Comments

Bigstock photo
The pentatonic scale is an awesome scale. It’s a fairly easy scale and it can be used for almost every style of music: blues, country, pop, rock and more.

That’s why most guitar players use it most of the time. Great nothing wrong with that.

But wouldn’t it be nice if you could add a few notes to the minor pentatonic scale to give it more flavor and spice up your playing?

Well today we’re going to add the major third to the minor pentatonic scale. The major third will bring some happy, fresh and lively color to the table. Adding extra notes to the pentatonic scale is a common thing in soloing and will make your playing a lot more fun and interesting to listen to.

I’ll show you how to play the 5 pentatonic scales shapes / positions adding the major third and 5 licks to spice up your playing.

THEORY
The major third is a musical interval and is the distance between the root and the third note of the major scale. It also consists of four semitones (4 frets).

For example: Continue Reading

The 5 Major Scale CAGED Shapes – Positions

By Klaus Crow 23 Comments

Photo by Bigstock photo
If you know how to play the major scale in one position and you’re ready to learn to play it all over the fretboard then this lesson is the next step.

If you haven’t played the major scale before you might wanna check out this post first: How to Play The Major Scale Guitar Guide for Beginners and Intermediate.

The major scale is the mother of all scales and your reference point for all other scales. That’s why it’s so important to master all of these five scale shapes.

The five C-A-G-E-D scale shapes (C shape, A shape, G shape, E shape and D shape) surround the entire fretboard. The “shapes” are sometimes also referred to as “positions”. In this post we use the G major scale as an example. So all five scale shapes (see below) are G major scale.

You can apply these scale shapes to all 12 keys by simply moving the shapes up or down the fretboard. For example: If you move the five shapes up a whole step (2 frets) then all the shapes are in the key of A, so you have five A major scale shapes.

The five scale shapes are derived from the CAGED system. If you’re not sure what the CAGED system is all about check out: What is The CAGED System? (The Keys to The Fretboard)

Each scale shape is related to a chord shape and surrounds that chord shape so you can easily identify the name of each scale shape. In each diagram below you can see the scale shape and the chord shape (made up of the red and green dots) that is surrounded by the scale shape.

PLAYING THE SCALE SHAPES / POSITIONS

If you look at the diagrams, play each scale shape starting from the lowest root note (the red note) then play all the way up (ascending) to the last note on the high E-string, then play all the way down (descending) to the first note on the low E-string and then play up again to the first root note you’ll hit upon. The tablature shows you how to play each scale shape ascending and descending.

Tips

– Practice the scale shapes with a pick using alternate picking technique (down, up, down, up, etc.)
– Practice slowly first and make sure each note sounds clean and clear.
– Try to visualize the chord shape in each scale shape.
– Make sure you can play each scale shape thoroughly before moving on to the next.
– Be patient and persistent, it takes some time to get them all under your belt.
– Repetition and regular practice is the key to success!

Have fun!

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