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Pentatonic Scale Shape Exercises Around The Fretboard

By Klaus Crow 13 Comments

Photo by Bigstock photo
A lot of guitar players use only one pentatonic position / shape: The first position (E shape) it’s because it’s the most comfortable shape to play in.

That’s great if you start out with soloing, in fact it’s better to stay with that for a while to explore all the possibilities and to really be able to improvise with that one shape.

But after some time it’s good to get out that box and discover more of the world. Wouldn’t it be great to attain the freedom to use the entire fretboard for all your rock, blues, country and heavy metal soloing? It’s the next step to becoming a complete guitarist.

To expand your reach on the fretboard beyond the most popular pentatonic position #1 (E shape), you need to learn all five pentatonic positions, also known as shapes. If you haven’t learned the five pentatonic shapes yet check out: The Five Pentatonic Scale Shapes You Must Know

This post is to designed to give you some extra exercises (once you’ve learned the five shapes) to really get those shapes down.

Have fun!
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The Vital Keys to Playing Slow And Fluently Fast

By Klaus Crow 11 Comments


“In order to play fast you need to play slow.” A saying that holds the keys to the Lamborghini, but has been quoted so many times by teachers and guitar heros that it almost seems it has lost its significance.

A lot of guitar players feel like it’s a myth, some are not familiar with the saying and others easily ignore it.

They can hardly believe that it’s true or don’t think it’s that important. But let me tell you, it is! It is that important.

How to Play Fast

I’ve been there and I’ve wasted my share of time. So memorize this phrase “In order to play fast you need to play slow.” and apply it to every guitar workout. It will make all the difference in the world.

So why do you want to play fast in the first place? Maybe you just don’t like the speed-ass shredders and monster lick killers that are racing the fretboard with 250 miles an hour. Well you don’t have to! Because learning to play fast is not just about speed soloing, it’s about developing dexterity.

Once you’ve increased your level of speed and learned to play faster your fingers will move a lot more smoothly across the fretboard. It’s almost seems like your fingers have gotten little wings. And that’s great for everything you play. No matter if you’re into blues, jazz, classical, country or metal.

Playing slow will not only help you develop dexterity, but also to play correctly, clean and clear as you become faster. Playing guitar will become effortlessly.

Let’s take a closer look:

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Triplet Scale Sequence Exercises Why and How

By Klaus Crow 7 Comments

Photo by Bigstockphoto
The first scale sequence I learned without being aware of it was the “pentatonic triplet sequence”. They were all over the place in Metallica solos and I learned a lot of them.

Once I knew what I triplet really was I noticed them in many other rock and metal songs. But also in a lot of blues solos, usually played with hammer-ons and pull-offs.

A triplet is when you’re playing 3 consecutive notes per beat. Also called an eighth note triplet. (There are also sixteenth note triplets but we’ll save that for another post) Since there are 4 beats per bar in 4/4 time, you can count them like this: 1 trip-let, 2 trip-let, 3 trip-let, 4 trip-let or if you prefer you can count: 1 & a, 2 & a, 3 & a, 4 & a. It’s important to learn the feel of playing triplets.

Triplets are often used at the end of a musical phrase. They can be played fast and ascending, building a climax and leading up to that final screaming note or descending to a lower impressive last note to give it more impact.

Once you know your scales and you’re starting to improvise you don’t want to sound like you’re playing scales all the time. That’s where sequences come in. Sequences are a great tool for building your improvising chops.Continue Reading

The Almighty 1 2 3 4 Combinations Workout

By Klaus Crow 17 Comments

Photo by finewallpaperss.com
The 1 2 3 4 exercise is a notorious warmup exercise that many skilled and famous guitar players have adopted in their regular workout.

It’s the perfect exercise to develop dexterity and increase your speed.

In the beginning it tends to be a little bit boring because of the monotonous movements, but after a while your fingers get accustomed to the stretch and finger placement and you’ll start feeling the rush of getting up to speed. You’ll notice your fingers become more flexible and capable and eventually you’ll get hooked on the exercise.

Also playing chords, fill ins, licks, arpeggios and everything else on the guitar becomes a lot easier, even effortless, depending on how much you practice.

This is the Almighty 1 2 3 4 Combinations Workout:Continue Reading

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