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The 5 Major Scale CAGED Shapes – Positions

By Klaus Crow 23 Comments

Photo by Bigstock photo
If you know how to play the major scale in one position and you’re ready to learn to play it all over the fretboard then this lesson is the next step.

If you haven’t played the major scale before you might wanna check out this post first: How to Play The Major Scale Guitar Guide for Beginners and Intermediate.

The major scale is the mother of all scales and your reference point for all other scales. That’s why it’s so important to master all of these five scale shapes.

The five C-A-G-E-D scale shapes (C shape, A shape, G shape, E shape and D shape) surround the entire fretboard. The “shapes” are sometimes also referred to as “positions”. In this post we use the G major scale as an example. So all five scale shapes (see below) are G major scale.

You can apply these scale shapes to all 12 keys by simply moving the shapes up or down the fretboard. For example: If you move the five shapes up a whole step (2 frets) then all the shapes are in the key of A, so you have five A major scale shapes.

The five scale shapes are derived from the CAGED system. If you’re not sure what the CAGED system is all about check out: What is The CAGED System? (The Keys to The Fretboard)

Each scale shape is related to a chord shape and surrounds that chord shape so you can easily identify the name of each scale shape. In each diagram below you can see the scale shape and the chord shape (made up of the red and green dots) that is surrounded by the scale shape.

PLAYING THE SCALE SHAPES / POSITIONS

If you look at the diagrams, play each scale shape starting from the lowest root note (the red note) then play all the way up (ascending) to the last note on the high E-string, then play all the way down (descending) to the first note on the low E-string and then play up again to the first root note you’ll hit upon. The tablature shows you how to play each scale shape ascending and descending.

Tips

– Practice the scale shapes with a pick using alternate picking technique (down, up, down, up, etc.)
– Practice slowly first and make sure each note sounds clean and clear.
– Try to visualize the chord shape in each scale shape.
– Make sure you can play each scale shape thoroughly before moving on to the next.
– Be patient and persistent, it takes some time to get them all under your belt.
– Repetition and regular practice is the key to success!

Have fun!

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Pentatonic Scale Shape Exercises Around The Fretboard

By Klaus Crow 13 Comments

Photo by Bigstock photo
A lot of guitar players use only one pentatonic position / shape: The first position (E shape) it’s because it’s the most comfortable shape to play in.

That’s great if you start out with soloing, in fact it’s better to stay with that for a while to explore all the possibilities and to really be able to improvise with that one shape.

But after some time it’s good to get out that box and discover more of the world. Wouldn’t it be great to attain the freedom to use the entire fretboard for all your rock, blues, country and heavy metal soloing? It’s the next step to becoming a complete guitarist.

To expand your reach on the fretboard beyond the most popular pentatonic position #1 (E shape), you need to learn all five pentatonic positions, also known as shapes. If you haven’t learned the five pentatonic shapes yet check out: The Five Pentatonic Scale Shapes You Must Know

This post is to designed to give you some extra exercises (once you’ve learned the five shapes) to really get those shapes down.

Have fun!
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5 Effective Pentatonic Exercises For Building Speed

By Klaus Crow 33 Comments

Photo by JD Hancock
Building speed is not just for guitar players who want to play fast and look good (not that there’s anything wrong with that), but building speed is good for any aspect of guitar playing.

Once you’ve got a good technique and finger dexterity everything you play becomes easier from rhythm playing to soloing and everything in between. Life on the guitar gets better.

I’ve written down 5 exercises that will help you build up speed but also to get a good grip on your pentatonic scale so you can learn to play them inside out.

Go through each exercise slowly a couple of times before you try to speed up.

Set up a slow tempo on your metronome and when you feel comfortable enough gradually increase the tempo. Play as accurate as possible and keep your notes clear and clean.

Try to avoid extra sounding notes that aren’t supposed to be there by muting the strings you don’t want to hear with either your left hand or right hand.

Practice with focus and dedication and reap the benefits.
Have fun!Continue Reading

Learn From The Three Kings of Blues

By Klaus Crow 7 Comments

Albert King playing and smoking.

Today there are so many great electric blues guitar players out there, but what most of them have in common is that they are directly or indirectly influenced by these 3 gentleman:

B.B. King (9/16/1925)
Albert King (4/23/1923 – 12/21/1992) and
Freddie King (9/3/1934 – 12/28/1976)

Many blues players like Eric Clapton, Jeff Beck and Jimi Hendrix have been influenced by B.B. King.

Otis Rush, Mike Bloomfield, Jimi Hendrix and Gary Moore were influenced by Albert King. Younger blues player John mayer has been influenced by Stevie Ray Vaughan who in turn was strongly influenced by Albert King.

Guitar players like Peter Green, Mick Taylor, Lonnie Mack, Stevie Ray Vaughan and Eric Clapton were influenced by Freddie King.

Most of you already know the reputation of B.B. King but for those who are not familiar with each and every one of the three kings you’ll absolutely benefit if you do. The impact of Albert and Freddie King on the evolution of the blues is not to be underestimated.

I suggest you take the time to listen and study the music and skills of these 3 blues guitar players. It’s worth while the effort and it will change the way you play the blues for the rest of your life!

B.B. KING
Name: Riley Ben King better known as B.B. King (B.B. stands for Blues Boy).
Songs: “The thrill is gone”, You know I love you, Ten long years, Woke up this morning.
Guitar: Viriants of the Gibson ES-355 (which he all refers to as “Lucille”)
Amps:Lab Series L5 2×12″ combo amp and Fender Twin Reverbs.
Strings:Gibson SEG-BBS B.B. King Signature Electric Guitar Strings. Gauges: 0.10-0.13-0.17p-0.32w-0.45w-0.54w
Technique: B.B. King is noted for his minimalist playing style. He knows how to play the right notes or even a single note at the right time with the most beautiful vibrato. He often plays around a certain area of the 2nd position of the pentatonic scale which is referred to as the “BB King Box”. (See below) and mixes up major and minor Pentatonic/Blues gracefully.Continue Reading

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