chords Archives - Page 10 of 11

3 Juicy Blues Chord Progressions to Be Prepared

When I learned my first blues progression it wasn’t something I really got excited about.

It was okay but it didn’t make me want to play it over and over again.

I would rather prefer cool or mind blowing. Later when I started adding a sprinkle of jazz to it things became more interesting.

Blues chord progressions start to change from mediocre to superb.

So why should you learn blues chord progression in the first place?

Well first off, blues chord progressions are the foundation of blues rhythm and essential for accompanying a great blues solo.

Or you could put it the other way around, where would a great lead guitar player be without some awesome accompaniment?

This is where you come in.

So now anytime you’re in front of a lead guitar player you are cool, confident and prepared because you’ve mastered these 3 juicy blues chord progressions.

Being able to play the blues is a great tool for guitar players and musicians in general to get together, jam, explore, evolve and have a great time.

I urge you to practice these chord progressions in every key through the cycle of fourths.

Experiment with playing different rhythms, different key signatures and tempos.

It’s important to learn all 3 chord progressions by heart.

You will develop a great skill you will use the rest of your musical life.

Enjoy!

MAJOR BLUES PROGRESSION

16 Legendary Fingerpicking Patterns

By Klaus Crow 153 Comments

Pattern #1 – For TABS see below.

Fingerpicking style is a technique that is used in many famous and legendary songs over the years. The 16 examples in this post are a good source to learn the most common fingerpicking patterns you will ever come across. The fingerpicking patterns can be applied to almost every folk, pop, country or rock song.

Try and figure out which pattern suits your favorite song. Maybe you’ll already recognize some of these patterns from songs you heard before.

I personally think pattern #12 is a really nice one. It’s a Travis fingerpicking style arrangement named after Merle Travis. The Travis fingerpicking style is known for it’s steady bass pattern played with the thumb while the rest of the fingers fill out the rest of the pattern on the treble strings.

Right hand finger positioning

Now let’s take a look at the finger positioning assuming you are a right handed guitar player.

For my right hand position I use my thumb to pluck the low-E, A and D-string. The index finger is on the G-string, the middle finger on the B-string and the ring finger on the high E-string.

For each different chord, you play the corresponding bass note with your right hand thumb.
Whenever you play an A or Am chord with your left hand, you pluck the A-string ( A root note) with your right hand thumb.
For an E or Em chord pluck the E-string (E root note) with your right hand thumb.
D or Dm chord = D-string (D root note).
G chord = E-string (The G root note is played with your left hand on the low E-string).
C chord = A-string (The C root note is played with your left hand on the A-string) and so on.

In the video lessons above the tabs I show you what each pattern sounds like and explain the pattern slowly in close up.

Practice each and every one of them thoroughly. It’s really good for you.

Enjoy!

Pattern #1

A E e:-------0-------|-------0-------|-------0-------|--------0-----------| B:-----2---2-----|-----2---2-----|-----0---0-----|-----0----0---------| G:---2-------2---|---2-------2---|---1-------1---|---1--------1-------| D:---------------|---------------|---------------|--------------------| A:-0-------------|-0-------------|---------------|--------------------| E:---------------|---------------|-0-------------|-0------------------|

Pattern #2

A E e:-------0---------|-------0---------|-------0---------|-------0---------| B:-----2-----2-----|-----2-----2-----|-----0-----0-----|-----0-----0-----| G:---2-----2-----2-|---2-----2-----2-|---1-----1-----1-|---1-----1-----1-| D:-------------2---|-------------2---|-------------2---|-------------2---| A:-0-----0---------|-0-----0---------|-----------------|-----------------| E:-----------------|-----------------|-0-----0---------|-0-----0---------|

“The 150 Essential Chords” Free Ebook

By Klaus Crow 70 Comments

“You have to know all the notes on your guitar, you’ve got to know all the scales, you have to know all the ‘chords’ and make sure you do that stuff as much as possible” – Joe Satriani

Today I’m happy to announce “The 150 Essential Chords” free Ebook.

I worked hard and passionately to create a good organized, categorized and easy to read chord book.

The book contains 33 pages packed with the most essential chords for you to behold, study and save for future reference.

Each page has a clear overview and a nice layout so you get a good sense of the overall picture.

Starting with basic major & minor chords, sus4, sus2, 7ths, major 7ths, barre chords etc. and then gradually building up to more advanced chords such as 9ths, 11ths, 13ths and many more.

The book is not too big and not too small. Perfect to save on your desktop, notebook, IPad or Smart Phone to make it accessible from anywhere. Now you can memorize your chords anytime you want.

Tip: If you want to study and memorize all the chords in the book than the fastest and most efficient way to go is to incorporate them in the songs you are playing. Speak out the name of every chord you are playing over and over again. It really works!

Here’s a list of contents:

– Chord Diagram Explanation
– Chord Voicings and Brief Chord Explanation
– Major ChordsContinue Reading

10 Ways to Play the Most Beautiful Open Chord Shapes

By Klaus Crow 90 Comments

The Most Beautiful Open Chord Shapes – Part I

A great way to make your chord progressions and songs sound awesome is to use open chord shapes.

I always love to use these chords to add some flavor to my chord progressions. One of my favorite chords is Fsus2, it contains the complete package. It’s sounds beautiful, gentle, tight, cool and rough at the same time.

Moving Open Chords

When you move an open chord up the neck the name of the chord changes and the chord gets extended with 1 or 2 notes. This way you can get beautiful sounds.

While you can play barre chords at any fret on the fingerboard, open chords can only be played at certain frets. If you play them at the right frets they sound amazing, if you don’t… well they just sound terrible. So be careful.

Because of all the extended chord names I didn’t bother to name every single one of them. That’s not the point here.

Experiment

It’s all about incorporating these chords into your songs and chord progressions, putting your creativity to the test, experimenting with all the possibilities, replacing some basic chords for these extraordinary ones, learning to hear what sounds right and what feels good.

Check out the youtubes Part I, II & III and the corresponding chord fingerings below.

Have a great time!

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