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Exploring The Natural Minor Scale

By Klaus Crow 13 Comments

October 26, 2022 by Klaus Crow

Photo by Bigstock photo
Whenever you want to solo over a song in a minor key you can safely use the minor pentatonic or blues scale. However it will always sound rock or bluesy one way or another.

Sometimes the melody of a song asks for something else than just that rock/bluesy feel. A diatonic melody approach might then be more suitable. Here is where minor scales come in.

There are a 3 types of minor scales. The natural, harmonic and melodic minor scale. In this post we’ll discuss the natural minor scale.

Formulas

The natural minor scale contains 7 notes. The scale formula is 1 2 b3 4 5 b6 b7. So compared to the major scale (1 2 3 4 5 6 7) it’s got a minor third, a minor sixth and a minor seventh.

If you start on a random note to build a natural minor scale the pattern of whole and half steps would be: “whole, half, whole, whole, half, whole, whole”. (a whole step = 2 frets, a half step = 1 fret)
So the formula in semitones = 2 1 2 2 1 2 2

Relative minor scale

The natural minor scale is also known as the Aeolian mode or relative minor.

Every major scale has a corresponding natural minor scale, also called the relative minor. If you play a major scale and go up to the 6th degree of the scale, then that note will be it’s relative minor. From that 6th note you can play seven notes ascending (going up) in the scale and that will be it’s relative minor scale.

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Reinforce the Fun Factor to Guitar Practice!

By Klaus Crow 1 Comment

May 15, 2019 by Klaus Crow

Photo by Bigstock photo
Guitar playing should be all about fun, but sometimes we forget in the midst of practice.

We tend to focus too much on achieving the end result and we get frustrated or irritated when the magic doesn’t happen overnight.

We lose the insight to enjoy our practice.

You might make a mistake on stage during a performance and get upset or embarrassed, instead you could stop taking yourself so seriously, just smile inside of yourself, simply move on and embrace imperfection.

Be there for the song, the audience and appreciate what is.

Let go of achieving, expectations, competing, comparing and all of those things. Those are negative thought patterns that hold you back from progress and feeling good. You want to feel good right? Then stop torturing yourself.

Be calm and kind to yourself, focus, enjoy the process and love the challenge. These are qualities that will bring the best out of you. To a great extent it’s all in the mind, but sometimes it’s also nice to indulge yourself to increase the fun factor even more.

When you’re having fun you don’t have to discipline yourself, you automatically get motivated. Fun is the ultimate motivation driver.

Let’s take a look at some of those fun factors:Continue Reading

Building Chords and Progressions of The Minor Scale

By Klaus Crow 24 Comments

September 6, 2023 by Klaus Crow

Photo by Bigstockphoto
Once I learned how to build chords of a major or minor scale, the logic of chord progressions made much more sense.

I became more efficient in analyzing and memorizing chord progressions and it was also a helpful tool for song writing and understanding how to improvise over these chords.

As a young kid I underestimated the knowledge of music theory.

It don’t matter how musically gifted you are as a person, music theory makes the life of a musician a lot easier. So benefit and enjoy!

In this post you’ll learn how to build chords of the minor scale, create your own chord progressions and analyze the chord progressions of famous songs in a minor key.

For building chords of the natural minor scale we can use the same approach as building chords of the major scale

Like the major scale we can also build 7 chords of the minor scale. In fact the minor scale is relative to the major scale. When you play the major scale starting on the 6th degree and play seven notes ascending (going up) in the scale you are actually playing a minor scale.

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Triplet Scale Sequence Exercises Why and How

By Klaus Crow 7 Comments

May 15, 2019 by Klaus Crow

Photo by Bigstockphoto
The first scale sequence I learned without being aware of it was the “pentatonic triplet sequence”. They were all over the place in Metallica solos and I learned a lot of them.

Once I knew what I triplet really was I noticed them in many other rock and metal songs. But also in a lot of blues solos, usually played with hammer-ons and pull-offs.

A triplet is when you’re playing 3 consecutive notes per beat. Also called an eighth note triplet. (There are also sixteenth note triplets but we’ll save that for another post) Since there are 4 beats per bar in 4/4 time, you can count them like this: 1 trip-let, 2 trip-let, 3 trip-let, 4 trip-let or if you prefer you can count: 1 & a, 2 & a, 3 & a, 4 & a. It’s important to learn the feel of playing triplets.

Triplets are often used at the end of a musical phrase. They can be played fast and ascending, building a climax and leading up to that final screaming note or descending to a lower impressive last note to give it more impact.

Once you know your scales and you’re starting to improvise you don’t want to sound like you’re playing scales all the time. That’s where sequences come in. Sequences are a great tool for building your improvising chops.Continue Reading

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