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Exploring The Natural Minor Scale

By Klaus Crow 13 Comments

Photo by Bigstock photo
Whenever you want to solo over a song in a minor key you can safely use the minor pentatonic or blues scale. However it will always sound rock or bluesy one way or another.

Sometimes the melody of a song asks for something else than just that rock/bluesy feel. A diatonic melody approach might then be more suitable. Here is where minor scales come in.

There are a 3 types of minor scales. The natural, harmonic and melodic minor scale. In this post we’ll discuss the natural minor scale.

Formulas

The natural minor scale contains 7 notes. The scale formula is 1 2 b3 4 5 b6 b7. So compared to the major scale (1 2 3 4 5 6 7) it’s got a minor third, a minor sixth and a minor seventh.

If you start on a random note to build a natural minor scale the pattern of whole and half steps would be: “whole, half, whole, whole, half, whole, whole”. (a whole step = 2 frets, a half step = 1 fret)
So the formula in semitones = 2 1 2 2 1 2 2

Relative minor scale

The natural minor scale is also known as the Aeolian mode or relative minor.

Every major scale has a corresponding natural minor scale, also called the relative minor. If you play a major scale and go up to the 6th degree of the scale, then that note will be it’s relative minor. From that 6th note you can play seven notes ascending (going up) in the scale and that will be it’s relative minor scale.

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The Two Most Important Scales in Western Music

By Klaus Crow 27 Comments

Today I’ll show you the two most important scales in western music. The “Major Scale” and the “Pentatonic Scale”. If they are not in your vocubalary yet, be eager to learn. If you know your scales you can learn how to solo, improvise and much more. We’ll start with…

The Major Scale.
The major scale is the mother of all scales, because all the other scales, modes, intervals, chords and harmony in western music can be derived from it. If you want to learn anything about music theory you need to know how to play the major scale.

And why would you want to learn music theory? Because you’ll be much faster in learning to understand everything about guitar playing. Yes you’ll become a better rock, blues, metal, country, jazz guitar player. If you know music theory you know the short cuts to playing and transcribing guitar solos, chord progressions and improvising. It makes the life of a guitar player a lot easier.

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3 Basic Blues Licks Using The Pentatonic Scale

By Klaus Crow 19 Comments

For all you blues beginners out there, in this video I will teach you the A pentatonic scale and three basic blues licks that use this scale.

The Pentatonic scale is the most often used scale for soloing and improvising in blues and rock. If you are just starting out in blues you should definitely check out this video. The 3 blues licks are free and for you to use in your own improvisation. Copy them, rip them apart, turn them around and make them your own. Use the pentatonic scale to create your own licks and solos. Be cool!

 

 

Tablature explanation:
p = pull off
h = hammer on
bd = bend down
bu = bend up
\ = slide



A MINOR PENTATONIC SCALE:
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3 Cool Blues Licks To Spice Up Your Improvisation

By Klaus Crow 11 Comments

Today I will teach you three cool blues licks to spice up your improvisation skills. There are a lot of blues licks out there that sound a little ordinary so here are some cool blues ingredients to make your improvisation sound more alive.

The licks are all derived from the A minor pentatonic scale, so you can play the licks over an A blues chord progression or a song in Am. I wrote down the tabs (tablature) below. Check out the video to hear what they sound like and how to position your fingers.

Enjoy!

 

 
LICK #1: Continue Reading

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