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Ruthless Minor Pentatonic Scales Over 3 Octaves

By Klaus Crow 8 Comments

Photo by Bigstock photo
The standard minor pentatonic scale is normally played over 2 octaves and stays within one position.

If you have been playing and improvising with the minor pentatonic scale for some time it’s likely that you want to break out of that one position and expand your reach on the fretboard.

You can use the minor pentatonic scale over 3 octaves for this purpose. It wil give you much more freedom and flexibility.

When you play “the pentatonic scale over 3 octaves” it means you actually play 3 pentatonic scales, one after another. Each pentatonic scale consisting of 5 notes per octave.

In the first example (the E minor pentatonic) you start on the E note, which is your root note (open low E-string). You play the first 5 notes of the scale and then arrive on the 6th note to land on the octave (7th fret A-string), which of course is also an E note. Then you play the next pentatonic scale starting from that 6th note, play the 5 notes of the pentatonic scale and arrive on the 11th note (9th fret G-string) to land on your second octave. Continue on the 11th note, play 5 notes up the scale and arrive on the 16th note for your 3rd octave.

So you can play each example as one long hell of a scale across the entire neck or treat them as 3 separate scales.

The numbers next to the notes on the staff above the tablature indicate the finger placement of your left hand (assuming you play right-handed). 1 = index finger, 2 = middle finger, 3 = ring finger, 4 = pinky.

The first example, the “E minor pentatonic over 3 octaves” is commonly used to take the standard pentatonic scale to the next step. It’s also the most comfortable and easiest one to play. The other two (A minor and G minor) are a little bit more challenging but definitely worth the effort. Practice pays off!

Tip: Each scale can be played in different keys by moving the entire scale up or down the fretboard. If you want to move “the E minor pentatonic” up a half step to the key of F you need to move up the entire scale 1 fret higher. So the first 4 notes on the 6th string: “0 3 5 7” now become “1 4 6 8”. Moving every note of that scale up a half step (1 fret) and you’re playing F minor pentatonic. If you move up the scale a whole step (2 frets) you’re playing F# minor pentatonic and so on.

Assignments:
– Play each 3 octave scale ascending and descending.
– Memorize how to play each 3 octave scale.
– Play the scales with a metronome. Start slow and gradually build up speed.
– Play the scales in different keys.
– Play the 3 smaller pentatonic scales that make up the big “3 octave scale” separately, from root to octave, ascending and descending.

Have a blast!Continue Reading

8 Reasons Why Learning The Blues is So Important

By Klaus Crow 8 Comments

Photo by Bigstock photo
My oldest brother introduced me to the music of Stevie Ray Vaughan, Eric Clapton and The Rolling Stones when I was about 8 or 9 years old. I was hooked instantly. I soon took up the guitar and started taking lessons.

Although I was happy in the beginning playing and singing songs by Bob Dylan, John Mellencamp, The Beatles and Springsteen, what I really wanted was to learn those beautiful bluesy solos that came from Stevie’s fingers and strings. It took another couple of years before I found the right teacher to teach me those skills. The blues has always been a major influence on my playing ever since.

Whatever you’re playing, whether it’s country, folk, alternative, rock, pop music or jazz it’s always great to combine these and other styles with blues elements or to lean on your blues vocabulary and skills whenever you need it.

There’s also something about the pentatonic / blues scale that no other scale has in store. It’s that raw, crying, heart aching, but also earthy, soulful, honest sound that really comes alive through playing the blues.

Now if that hasn’t convinced you to pick up your guitar and dive into the world of blues, you might want to know what reasons are so important that you do so.

Check it out:Continue Reading

50 of The Greatest Guitar Riffs of all Time

By Klaus Crow 104 Comments

Photo by Bigstock photo

50 greatest guitar riffs of all times

There’s something about playing guitar riffs. Creating that cool sound with your own bare fingers while sliding down and bending up those strings feels just like pure magic. Ain’t nothing like it.

Also the excitement of learning and eventually mastering a challenging riff is unbelievably fulfilling.

Let alone playing that riff with a real band will give you a true adrenaline rush. Yes that’s why we love to play riffs.

A little while ago I created a list with “50 of The Greatest Guitar Solos of All Time”. After that I got a lot of requests for a “Greatest Riffs of all Time” list. And I thought ‘yeah why not?’ So here you are.

As most of you know the lists on Guitarhabits are in no particular order and they are never complete. The lists are here to inspire and to motivate.

You might discover a riff or song on the list that you haven’t thought of before and would really like to learn. Maybe you’ll get some new ideas for practice or encounter a “mustknowriff” for your repertoire. It’s all here.

I was thinking about my personal favorite and it’s just too hard to choose only one. There are too many brilliant creations and all unique in their own way. I love the simplicity of “highway to hell”, the beautiful, mysterious, wah wah riff of “Voodoo child”, I have a weak spot for almost every guitar riff by John Frusciante or Slash and not to mention the zillion riffs that aren’t even on the list. Thank god it never stops.

Note: As an Amazon Associate I earn from qualifying purchases.

Enjoy the list!Continue Reading

How to Hold a Guitar – Proper Posture and Hand Positioning

By Klaus Crow 14 Comments


I first got briefly introduced with proper posture and good practice habits by Al Di Meola’s chords, scales and arpeggios book. For me he is just one of the coolest guitar dudes on the planet, so what he wrote in the book was a good place to start with.

Proper guitar posture is not something every guitar player is aware of or takes seriously.

That’s because improper posture and bad habits will not immediately result in injuries.

But over the long term guitar players can get back, shoulder, neck, elbow, arm and wrist pains, RSI (repetitive strain injuries), tendonitis, CTS (Carpal Tunnel Syndrome) and other nasty side effects.

This is certainly not every guitar player’s destiny, but it’s not out of the question either. But there’s good news! Proper posture can prevent a lot of these injuries and it makes guitar playing easier and more pleasant.

A good hand positioning is here also really important to learn to play effectively and properly. Every detail makes all the difference in the world.

Let’s take a closer look:

Continue Reading

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